When Ron Henley, Monique de los Santos, and Miaow drop “Come At Me”, they’re not asking politely — it’s a bold statement. The track blends swagger, attitude, and polished production into something that hits hard but still dances smooth. It’s confident, modern, and unapologetic — exactly what an artist wants to hear on the nightlife circuit.

“Come At Me” feels like a perfect membrane between hip-hop attitude and pop-ish melody. The production leans on sharp vocal delivery, strong rhythm, and enough instrumentation to keep things rich without overcrowding. Monique de los Santos’s vocals provide that polished grit, while Ron Henley brings in lyrical swagger, and Miaow adds texture to the chorus. The beat drops are tight, transitions are clean, letting the vocals shine while the bass holds the floor.

This track is going to work well in club sets, radio, and playlists — especially ones that feature strong female vocals or tracks that oozes confidence. DJs could use it during peak hours when energy is high or as a buildup track that lifts up the mood. For fans of motivational/attitude-driven lyrics with a danceable groove, “Come At Me” hits the sweet spot. It also represents the growing fusion in the Philippines of rap/hip-hop personalities into more mainstream EDM/pop-friendly spaces.